139
10.0

楼下的女人和楼上的男人

导演:
申承秀
主演:
崔秀钟,吴妍秀
别名:
未知
10.0
139人评分
韩语
语言
未知
上映时间
未知
片长
简介:

  서로를 굳게 사랑한다고 믿는 철수와 영희는 3년간의 열애 끝에 성대한 결혼식을 올리고 꿈같은 신혼생활을 시작한다. 그러나 둘이 함께 하는 하루하루는 생각과 같지 않다. 결국 사소한 일들로 티격태격하던 이들은 결혼의 회의를 느끼기 시작하는데, 때 마침 아직 신혼의 때도 벗지않은 철수가 다른 여자에게 한눈을 파는 사건이 생긴다. 영희는 응당한 벌로 이혼을 요구하고, 이들은 한치의 주저함이 없이 갈라선다. 그러나 친구부부의 의도된 계획으로 같은 연립주택의 아래층과 윗층에 살게 된 영희와 철수. 철수는 자신의 속박에서 벗어난 자유인이라며 흡족해 하고, 영희는 연하의 동료 노진국의 프로포즈를 받는다. 그러나 영희는 자신을 관념적으로만 사랑하는 노진국을 거절한다. 그러던 어느 날 영희가 임신한 사실을 뒤늦게 알게 되어 영희와 철수는 생명의 신비와 더불어 결혼의 진정한 의미를 깨닫게 된다.
  她和延熙相信他们彼此坚定地相爱,经过三年的繁荣,他们有了一场宏伟的婚礼,开始了他们梦幻般的蜜月。然而,我们在一起的那一天并不是这个想法。最后,那些遭受小事折磨的人开始感受到婚姻的会议。Younghee要求合理的处罚离婚,他们毫不犹豫地分手。然而,在一个朋友和妻子的故意计划中,她和她的后代居住在同一栋联排的较低和较高楼层。她很满意自己是一个自由的人,不受她的束缚,Younghee在她年轻时收到同事的提议。然而,Younghee拒绝一个只爱理想的进取国家。然后有一天,她意识到自己怀孕了,她和李在生命的奥秘中结识了婚姻的真谛。

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108
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主演:爱德华·诺顿,娜奥米·沃茨,托比·琼斯,黛安娜·里格,黄秋生,列维·施瑞博尔,朱丽叶·霍兰德,艾伦·戴维,露西·弗勒,玛姬·斯蒂德,佐伊·特尔福德,夏雨,吕燕,冯瓅,玛丽-洛尔·德库洛,凯瑟琳·安,李滨,洛琳·劳伦斯,伊恩·伦威克,程思寒,亨利·赛洛
死神假期
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7.0
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更新时间:2025年08月02日
主演:弗雷德里克·马奇,伊夫琳·维纳布尔,盖伊·斯坦丁,凯瑟琳·亚历山大,吉尔·帕特里克,凯瑟琳·霍华德,肯特·泰勒,亨利·崔佛斯,G·P·亨特利,莫洛尼·奥尔森,赫克托·萨尔诺,菲利普斯·斯莫利,Helen,Westley,Anna,De,Linsky,Otto,Hoffman,Frank,Yaconelli
简介:

  Because I could not stop for Death, he kindly stopped for me; the carriage held but just ourselves and immortality” – Emily Dickinson
  If Death took a holiday, the guns would go silent in Iraq, the slaughter on our nation’s highways would cease, and the news media would be compelled to cover positive events in the humanities, arts, and sciences. Unfortunately, Death has not had a vacation in recorded history, but Mitchell Leisen’s 1934 fantasy, Death Takes a Holiday, allows us to consider the possibility. Co-written by Maxwell Anderson and Gladys Lehman and based on the play __QUOTE__La Morte in Vacanza__QUOTE__ by Alberto Casella, Death Takes a Holiday stars Frederic March as the Grim Reaper who takes on human form in an attempt to discover why men fear him so much. Why he has waited 5,000 years to satisfy this curiosity is not explained.
  [Spoiler] After a brief tryout as a shadowy figure who scares the daylights out of those that cross his path, Death shows up at, of all places, an upscale party at an Italian villa, posing as the mysterious Prince Sirki. Only one person knows who he really is, the host Duke Lambert (Guy Standing), and he is sworn to secrecy. Sirki proceeds to fascinate the guests. Given to bursts of wit and poetry, he can just as quickly turn sullen and threatening, and some soon find out that it is better not to look too deeply into his eyes. During the three days in which the Prince is at the villa, however, people all over the world miraculously escape death and potential suicides are doomed to frustration.
  To see what’s behind all the conversation about love, the suave but naïve Prince Sirki falls for the irresistible Grazia (Evelyn Venable), the daughter of one of Duke’s friends. Grazia knows who Death is but does not fear him, much to the chagrin of her fiancé, Corrado (Kent Taylor) who has developed a strong disdain for Prince Charming.
  More sinister than Brad Pitt in the 1998 remake Meet Joe Black, March turns in a very convincing performance as the creepy yet strangely appealing guest. Although the ending is melodramatic, the emotions are very real and the suggestion that Death may in reality be a friend disguised as a foe is quite touching.
  (Howard Schumann, talkingpix.co.uk)
  In this wearisome and predictable plot line, Death falls in love and bores us to death talking about it.
  (Dennis Schwartz, homepages.sover.net)
  I__APOS__ve heard DRACULA was advertised with the tag line __QUOTE__The Weirdest Love Story ever told!__QUOTE__ (this is probably a paraphrase), but at heart, I__APOS__ve never felt that you could honestly call that movie a love story. The tag line would be much more appropriate for this one, since it ultimately boils down to what amounts to a love story. This movie is very good indeed, particularly if you consider that it is built around a concept that could have easily been handled in a cute or facile manner. Instead, it is handled as seriously as possible, with some real thought put into how death would try to come to terms with a life and an outlook that was to that point totally unfamiliar to him; much of the credit does go to Fredric March in the title role. It__APOS__s quite scary when it needs to be, particularly during the first twenty minutes. From then on, it deals with its themes with subtlety, a quiet wit, an enduring sadness, and an everpresent tension on how Death might react if crossed. It__APOS__s not perfect; some of the dialogue is self-conscious and artificial, as if the writers knew they were dealing with weighty issues and were trying to be profound. But I am certainly glad they didn__APOS__t try to turn it into a musical comedy of sorts.
  (Dave Sindelar, scifilm.org)
  See also the remake: Death Takes A Holiday (1971)

6538
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