牢狱风云

　　英国伦敦某个高档社区，事业有成、生活优渥的迈克（汤姆·布彻 Tom Butcher 饰）和妻子克莉斯蒂安（蕾切尔·布雷克 Rachael Blake 饰）正在进行着不甚愉快的晚餐，夫妻二人语露锋芒，相互讥讽和试探，气氛分外尴尬。正在这时，三名不速之客破门而入，将二人捆绑起来。原来他们的儿子塞巴斯第安（汤姆·凯恩 Tom Kane 饰）在外惹出麻烦，致使泰迪（桑尼·穆斯林 Sonny Muslim 饰）、奥塞德（Ashley Chin 饰）和瑞恩（Jumayn Hunter 饰）冲入他的家中，守株待兔。
　　时间在煎熬中缓缓流逝，青年们蛮横无理，恣意妄为。更令迈克夫妇担忧的是，他们的儿子随时会惨遭毒手。一切开始朝着不可预测的方向发展……

　　曾相依为命的兄弟俩，在一场街头斗牛赛被篮球队教练发掘，人生就此改变。隔年，两人在HBL冠军赛重逢。曾经一无所有、相依为命的兄弟，一起踏上了梦想中的球场，却是敌对的两方。岁月的洗礼，让兄弟成长，却也失去了彼此。在争夺冠军的球场，为了队伍的胜利与荣誉，他们必须击败眼前的手足。最终关键时刻，两人终于理解，人生有比赢球更重要的事。在球场上失去的，必须在下半场，奋力找回来⋯⋯

这个年轻的女孩有失眠症。母亲是一位艺术家。这只狗叫马塞尔。小女孩非常爱她的妈妈，但她的妈妈爱马塞尔胜过一切。一个不可预知的事件会让那些爱的圈子重新连接起来吗?

　　佩（凯莎·卡斯特-休伊斯 Keisha Castle-Hughes饰）是新西兰海岸上古老部落的酋长孙女。母亲曾经诞下龙凤胎，但不幸她和男婴都死去了，心灰意冷的父亲远走他方，剩下孤女佩给祖父母抚养成人。
　　奶奶非常疼爱佩，而酋长寇罗（拉维里·帕拉特恩Rawiri Paratene饰）却一度认为孙女是不祥之人。现今更令寇罗头痛的是继承人的问题。这个部落的有着严格的信条：继承人必须是男性。而眼看自己的儿子无法继承家业，寇罗万分苦恼。他从族人中间选出壮健男子，希望可以培养成为领袖，结果很不如意。而他的孙女佩，却在练习各式武艺，一心要接过爷爷的担子。
　　寇罗却执意遵从族人规条，不允许女性当上领袖位置。直到一条鲸鱼搁浅在此处的海岸，事情才开始峰回路转。佩凭着出色的勇气和能力，让爷爷改变了决定。

The story appears simple on the surface, but is revealed, especially after multiple viewings, as more multi-layered and textured than Cassavetes at his best. Ostensibly it concerns a 14-year old Catholic girl, Wynne (Agutter) growing up in this post-modern wasteland, who develops a crush on her much older adoptive brother (Marshall)- a crush which perversely deepens and grows into infatuation once she starts to believe he is the local sex killer. This is in itself an idea that makes you sit up and jolt, but as the narrative develops, it continues not necessarily along a linear path but in several confusing and fascinating directions: the family__APOS__s history, (detailed effectively in chilling flashback during an improvised seance) is a chequered one, and has suffered at least one major relocation and upheaval in the last ten years. At the crux, however, it__APOS__s the depiction of socialal changes that make I Start Counting so fascinating and elevate its language far beyond the confines of the standard horror film. The major subtext- that teenage girls were maturing more quickly than before, and developing full sexual and romantic appetites (even if in thought rather than deed) but were not possessed of enough discretion to make the right choices- was a step forward for a genre in which its young females had previously been portrayed as bimbo victims (Cover Girl Killer and The Night Caller spring to mind), but not one that all viewers would necessarily agree with. But most striking of all, and possibly the most enduring image which the viewer will take away with them, is of the masterful symbolism with which director Greene invests every shot. Every inch of the Kinch family__APOS__s world- their house, their walls, their TV, Agutters underwear, bedroom furniture and toys, Sutcliffe__APOS__s clothes, Marshalls van, the local Catholic church, their town centre, their record shop) - is painted a bright, scintillating white- a white which, by inference, is slowly becoming smudged and corrupted with the dirt of the outside world. White also symbolises, of course, purity and innocence (two qualities Catholic schoolgirls are supposed to hold dear), and it is into this world of innocence that the ever-present red bus (a symbol of violation and penetration), conducted by the lecherous yet similarly juvenile Simon Ward, makes regular journeys. The allegory is further expanded in one scene where Agutter believes she sees the Christ figure in church weeping blood: by the time we acknowledge it, its gone, but the seed has already been planted. Rarely in a genre production has the use of colour and background been so important or effective in creating a uniformity of mood. I Start Counting is as near-perfect an end to a decade as one could hope for, and exactly the kind of film people should be making now- which is, of course, exactly why they never will. A genre essential. by D.R. 

　　结婚五周年纪念日的早上，尼克·邓恩（本·阿弗莱克 Ben Affleck 饰）来到妹妹玛戈（凯莉·库恩 Carrie Coon 饰）的酒吧，咒骂抱怨那个曾经彼此恩爱缠绵的妻子艾米（罗莎蒙德·派克 Rosamund Pike 饰）以及全然看不见希望的婚姻。当他返回家中时， 却发现客厅留下了暴行的痕迹，而妻子竟不见了踪影。女探员朗达·邦妮（金·迪肯斯 Kim Dickens 饰）接到报案后赶来调查，而现场留下的种种蛛丝马迹似乎昭示着这并非是一件寻常的失踪案，其背后或许隐藏着裂变于夫妻之情的谋杀罪行。艾米的失踪通过媒体大肆渲染和妄加揣测很快闻名全国，品行不端的尼克被推上风口浪尖，至今不见踪影的爱人对他进行无情审判，你侬我侬的甜言蜜语早已化作以血洗血的复仇与折磨……
　　本片根据吉莉安·弗琳（Gillian Flynn）的同名小说改编。

　　吉艳磊自幼丧父，母亲也改嫁，承受家庭压力的她为了免费上学加入了肖教练组建的琼中女足。一群十岁出头的女生，一起训练、一起比赛。新旧磨合的团队渐入佳境，财务问题却出现危机。本答应免除所有费用的肖山教练陷入困境。家长的责难喧嚣而至，甚至有人想要孩子即刻离开球队。面对经济危机，球队的孩子们表现了难得的“固执”，终于一场胜利让琼中女子足球队顽强的坚持了下来。在教练的辛勤指导下，一步一个脚印，最终获得世界冠军。

　　Children come to a hospital to visit their dying father they haven__APOS__t seen for 8 years. They try to recover their relationships before he dies.

　　故事发生在1795年的法国，下级军官拿破仑（克里斯汀·克拉维尔 Christian Clavier 饰）遇见了美丽的约瑟芬（伊莎贝拉·罗西里尼 Isabella Rossellini 饰），一见钟情的两人很快就走到了一起。之后，拿破仑在战争中的出色表现和人民对他的拥戴引起了巴黎政府的不满，上司将拿破仑派往了遥远而又危险的埃及。
　　远在埃及的拿破仑得知国家的安全正受到反法联盟的威胁之时果断回国发动政变，最终成功的成为了首席执行官。然而到了1807年，在沙皇的支持和怂恿下，奥地利出兵法国，为了维系政权的稳固，拿破仑不得不同奥地利公主和亲，然而一切已经为时已晚，与此同时，悲伤的约瑟芬亦离开了拿破仑。

　　一对爱恋的男女，因时局的动荡而不能在一起。于是女主人公就把一首唐代伟大诗人白居易的《长恨歌》：“在天愿作比翼鸟，在地愿为连理枝。天长地久有时尽，此恨绵绵无绝期。”写在一幅象征“荣华富贵”的牡丹图上一起给了自己心爱的恋人，但他们的爱情故事犹如诗中所描述。“爱到极致便是恨”。时过境迁，“牡丹图”在一次事件中下落不明。多年过去。已是暮年的男主人公带着仅存的记忆和遗憾，跨越时间与空间寻找这幅带着思念与爱的“牡丹图”。然而，人性的贪婪，为他的寻找之旅设下多重关卡…

　　讲述了藏族青年闹日昂杰毕业之后的两年时间都过着没有工作闲赋在家的生活。家人希望他考个稳定的工作，但生在草原的闹日不喜放牧，热爱自由更爱骑行。为了参加甘南藏地传奇国际自行车大赛，他背着家人刻苦训练，还遇到了他喜欢的姑娘——嘉嘉。在嘉嘉以及她哥哥大伟的帮助下，以及闹日昂杰的顽强的意志，最终在自行车大赛中获得了冠军。

　　沉寂七年的北漂演员郝贝事业迎来翻身契机，正当灯红酒绿男欢女爱之际，突然出现一个七岁的儿子小龙，小龙一口咬定郝贝就是自己的亲生父亲，由此两人引发了一连串爆笑又不失温馨的囧事。