莲见雄一（市原隼人 饰）与母亲、继父、弟弟生活在一个幽静的小城里。他跟同班同学星野修介（忍成修吾 饰）同在剑道部，两人成为好朋友。星野本来是一个品学兼优的学生，却遭到了同学的嫉妒。当暑假时一群同学自冲绳回来以后，星野变了一个人似的。接着星野开始以欺负同学为乐，而且手段残忍，雄一也不能幸免。雄一性格孤僻，喜欢歌手莉莉周，在自己建立的莉莉周论坛上他认识了一个叫“青猫”的人。雄一与青猫都过着不容易的生活，两人互相鼓励，并约定在莉莉周的演唱会上见面，“青猫”的出现令雄一十分惊讶。
约旦，1967年。世界巨变：对能源的争夺、新潮流、新音乐、对未来憧憬的蔓延。在约旦，不同的变化在悄然发生：巴勒斯坦成千上万的难民正跨越边境线到约旦寻求避难。11岁的Tarek与母亲在难民队伍中，而他的父亲则在战乱中被迫与家庭分开。他们和1948年就逃难至此的前一代难民一起被安置在难民营的活动帐篷中，等待可以重返家乡的那一天。难民营中的生活窘困，期待能够和爸爸重逢的Tarek想法离开难民营，并看到了希望。他对自由的向往和好奇的天性带领一群有着同样向往的人踏上了一段改变命运的旅程。
故事发生在北京，叶彤（孔琳 饰）回到了阔别已久的故乡，在这里，有她全部的童年回忆。再度相逢，曾经的玩伴们已经长大，卫东（张嘉译 饰）、卫萍（丁嘉丽 饰）、雷兵（扈强 饰），每个人的身上都留下了时间的痕迹。在学校里，叶彤结识了摇滚乐队主唱彭威（耿乐 饰），彭威的自由不羁吸引了叶彤，两人的关系越走越近。 彭威和卫东是旧相识，两人之间有过一些过节，其中的龃龉并没能随着时间的流逝而渐渐淡化，如今沦为罪犯的雷兵又和当警察的卫东结下了梁子。卫萍告诉叶彤自己怀孕了，希望叶彤能够帮她做流产手术，雷兵和卫东之间的矛盾升级成为了暴力冲突，卫东受伤住院，雷兵失足身亡。悲伤和痛苦之中，叶彤明白，曾经的单纯时光一去再也不会复返。
电影《旦后》根据作家黄宁同名小说改编而成，由厦门幕光影业有限公司、福建嗨皮兔影视传媒有限公司、新疆爱森电影制片公司联合出品。《旦后》讲述了上世纪50年代，女主角林波儿随养母到香港艰难营生，依然坚持传承南音，在闽南侨胞的帮助下一举成名，被东南亚影迷誉为“ 一代旦后”的传奇故事。
54岁的凉子（中山美穗 饰）是一名小说家，一天，她突然被医生诊断患上了阿兹海默症，面对可怕的病魔，凉子决定利用自己所剩不多的时间，完成她人生中的最后一部小说。在写小说之余，凉子在大学里担任讲师的职务，一次下课后，凉子和学生们来到居酒屋小聚，在那里邂逅了名为昌海（金材昱 饰）的韩国留学生。 昌海的谈吐和三观都和同龄人不同，这点深深的吸引着凉子，让她想要了解这个男孩脑袋里的所思所想。凉子的手无法移动，于是她拜托昌海来成为自己的双手，帮助自己写作。在此过程中，两人之间产生了真挚的感情。但是凉子知道，这份感情不可能有一个美满的结局。
天下霸唱最新作品《天坑鹰猎》举行首发仪式，同时宣布电影版将于2018年开拍、2019年公映，由新锐导演隋小东执导。新作融入了《寻龙诀》里未完成的“大怪物”桥段，故事里的主人公大致十七八岁，卡司阵容待定。
钱麟遂父亲心愿，带上门客亦卿和小厮春子，来到七灵峰找辛于学习剑法。亦卿与辛于因为投缘结为知音，岁月静好。子夜来到辛庄要挑战辛于，被辛于重伤，钱麟却对子夜一见如故，教他辛于的剑法。亦卿看出子夜身上戾气，劝阻钱麟，钱麟毫不在意。子夜却在剑术精进后杀了钱麟的师父辛于，两人积怨。辛于死后，子夜在江湖声名鹊起，并暗中送银子给钱麟。子夜与钱麟相遇，两人间隙更甚，亦卿见钱麟对自己疏离，也伤怀离开钱府……
故事设定在一个死后的奇异时空，所有自杀后的人都会被聚集到这里。在这个异次元的世界里，除了每个人都拥有神奇力量外，一切看似跟现实世界毫无分别。男主人公齐亚（派屈克·福吉特 Patrick Fugit饰）为情割腕自杀后，本以为能就此一了百了，却阴差阳错的坠入这个自杀者的天堂。在路上，齐亚先后遇见了因各种原因自杀的路人，后与另外两位自杀者结伴同行，一起踏上了神奇旅程。
迪士尼魔法童话题材的青春音乐剧《后裔》正式宣布要拍第3部，并发布前瞻预告，玛琳菲森(《睡美人》反派)的女儿Mal遇上了一个可能的新反派：她的父亲。《后裔3》制作已在温哥华开始，预计2019年夏天推出，继续讲述著名的童话反派们如邪恶皇
The story appears simple on the surface, but is revealed, especially after multiple viewings, as more multi-layered and textured than Cassavetes at his best. Ostensibly it concerns a 14-year old Catholic girl, Wynne (Agutter) growing up in this post-modern wasteland, who develops a crush on her much older adoptive brother (Marshall)- a crush which perversely deepens and grows into infatuation once she starts to believe he is the local sex killer. This is in itself an idea that makes you sit up and jolt, but as the narrative develops, it continues not necessarily along a linear path but in several confusing and fascinating directions: the family__APOS__s history, (detailed effectively in chilling flashback during an improvised seance) is a chequered one, and has suffered at least one major relocation and upheaval in the last ten years. At the crux, however, it__APOS__s the depiction of socialal changes that make I Start Counting so fascinating and elevate its language far beyond the confines of the standard horror film. The major subtext- that teenage girls were maturing more quickly than before, and developing full sexual and romantic appetites (even if in thought rather than deed) but were not possessed of enough discretion to make the right choices- was a step forward for a genre in which its young females had previously been portrayed as bimbo victims (Cover Girl Killer and The Night Caller spring to mind), but not one that all viewers would necessarily agree with. But most striking of all, and possibly the most enduring image which the viewer will take away with them, is of the masterful symbolism with which director Greene invests every shot. Every inch of the Kinch family__APOS__s world- their house, their walls, their TV, Agutters underwear, bedroom furniture and toys, Sutcliffe__APOS__s clothes, Marshalls van, the local Catholic church, their town centre, their record shop) - is painted a bright, scintillating white- a white which, by inference, is slowly becoming smudged and corrupted with the dirt of the outside world. White also symbolises, of course, purity and innocence (two qualities Catholic schoolgirls are supposed to hold dear), and it is into this world of innocence that the ever-present red bus (a symbol of violation and penetration), conducted by the lecherous yet similarly juvenile Simon Ward, makes regular journeys. The allegory is further expanded in one scene where Agutter believes she sees the Christ figure in church weeping blood: by the time we acknowledge it, its gone, but the seed has already been planted. Rarely in a genre production has the use of colour and background been so important or effective in creating a uniformity of mood. I Start Counting is as near-perfect an end to a decade as one could hope for, and exactly the kind of film people should be making now- which is, of course, exactly why they never will. A genre essential. by D.R.
英伦喜剧[大叔花样游泳队](Swimming With Men，暂译)卡司曝光，除主演罗伯·布莱顿外，吉姆·卡特(《唐顿庄园》)、鲁珀特·格雷夫斯、简·霍洛克斯([荒唐阿姨大电影])加盟，导演奥利弗·帕克([憨豆特工2])。影片围绕中年男主(布莱顿饰)加入一支大叔组成的业余游泳队的故事展开。明年英国上映。
《健忘村》的故事发生在一片世外桃源般的村落里，传说此地风水有帝王之相，石员外（曾志伟 饰）觊觎村中龙脉，企图与土匪联合屠村。有一天，一声惨叫打破了裕旺村的宁静，村民朱大饼意外中毒身亡，大饼的妻子秋蓉（舒淇 饰）成为了最大嫌疑人，这时“天虹真人”田贵（王千源 饰）手持神秘宝器“忘忧”路过村子。据说“忘忧”可以洗去人的记忆，控制人格。从此裕旺村变成了健忘村。荒诞爆笑，阴谋不断，其乐融融的世外桃源背后隐藏着一场血雨腥风。
该片围绕沉香，聚焦南方小城一个家庭，几代人之间的矛盾冲突、利益纷争、感情纠葛。
