潦倒岁月

　　十三年前良商沈岩被传家族有24缸宝藏，土匪为财一夜屠灭沈家庄，缝头师孙财承沈岩荒年救命的恩情为全村缝头补尸，十三年后为花钱赎入狱的儿子，孙财打起沈家24缸宝藏的主意，特意攒局找来黑心富商，戏班台柱、骗人半仙、流民痞子五人自此形成恶人帮。几人寻宝藏途中伴随着各种诡异事件。但此行本是缝头师孙财设下的阴谋，五人都曾是十三年前血案中的局中人。几个人究竟在当年屠杀惨案中扮演着什么身份？土匪抢劫血洗村庄究竟还有什么隐情？

　　曾相依为命的兄弟俩，在一场街头斗牛赛被篮球队教练发掘，人生就此改变。隔年，两人在HBL冠军赛重逢。曾经一无所有、相依为命的兄弟，一起踏上了梦想中的球场，却是敌对的两方。岁月的洗礼，让兄弟成长，却也失去了彼此。在争夺冠军的球场，为了队伍的胜利与荣誉，他们必须击败眼前的手足。最终关键时刻，两人终于理解，人生有比赢球更重要的事。在球场上失去的，必须在下半场，奋力找回来⋯⋯

　　浙江长城传奇影业集团出品的寻宝探险电影《天朝国库之谜》于2021年4月6日在湖北浠水开拍。

　　20世纪三十年代的美国富兰克林，Bondurant家的三兄弟Forrest（汤姆·哈迪 Tom Hardy饰），Howard（杰森·克拉科 Jason Clarke饰）和 Jack（希亚·拉博夫 Shia LaBeouf饰）做私酒生意做得风生水起，在当地小有名气。然而当地真正的黑帮老大却是Floyd Banner（加里·奥德曼 Gary Oldman 饰）。Forrest的酒吧里新招了一名女服务生Maggie Beauford（杰西卡·查斯坦 Jessica Chastain 饰），而Jack则爱上了一个神父的女儿Bertha Minnix（米娅·华希科沃斯卡 Mia Wasikowska 饰）。Jack经常和他的好朋友Cricket Pate（戴恩·德哈恩 Dane DeHaan 饰）一起鼓捣一些新奇的东西，然而在他两个哥哥眼里他却始终是个不能真正参与到他们生意中的小孩。新上任的警官Charley Rakes（盖·皮尔斯 Guy Pearce 饰）看Bondurant三兄弟非常不顺眼，屡次挑起事端，三兄弟将如何面对挑战？

　　一个月光惨淡的夜晚，西域响马头目杨剑飞带人袭击了一个部落。部落中的男女老少惨遭杀害。慕容艳等几个女武士因在外侥幸逃脱此厄运。她们发誓要向杨剑飞讨回血债，而官家也派西域名捕石雨带两名捕快追捕杨剑飞。 杨剑飞听说慕容艳杀了他的几个部下，似乎觉察到慕容艳在与他做对，但他却并不把一个女人放在眼里。 因慕容艳杀了不少人，官府限令石雨在10月内将慕容艳捕获。而石雨对此却不以为然，他认为一个女人作响马，肯定是被人逼迫出来的，况且那几个女人并没有为非作歹．所以他不去为难慕容艳。 慕容艳也听说了石雨，她从同族的一老人口中打听到石雨是侠心义胆的正派人．可她并不相信，她认为历来是“官匪一家”。 不久石雨找到慕容艳，但他并没有抓慕容艳，而且同意了慕容艳的建议：两人共同杀了杨剑飞，然后远离大漠。 在一家酒肆，石雨与杨剑飞不期而遇，双方交手，不分高低，打个平局。相约三日后再战。但是杨剑飞违约，提前行动，想趁石雨没有准备而取胜。幸亏慕容艳手下一个人给石雨送信，使他免遭暗算。石雨立即将此事告之慕容艳，提醒她提防心狠手辣的杨剑飞。 约定的时间到了，石雨和慕容艳来到杨剑飞的老巢。双方见面，一时间刀光剑影，飞沙走石，人喊马嘶。几经拼杀，慕容艳在石雨的帮助下，终于杀死了无恶不作的西域响马头目杨剑飞，报了深仇血恨。

　　故事发生在两伊战争期间，业已成家生子的Shideh（Narges Rashidi  饰）渴望回到大学校园完成学业，然而历史问题使她的学业之梦彻底破灭。她的丈夫Iraj（Bobby Naderi饰）是一名事业有成的医生，Iraj不久前接到征兵通知，这让本来心情烦乱的Shideh愈加焦躁不安。令人不快的争吵过后，一家三口凄凄诀别。他们的小女儿Dorsa（Avin Manshadi 饰）夜晚无法安然入睡，Dorsa从小伙伴那里听说了巨灵的恐怖故事，这让她心有惴惴，时刻担心恐怖降临。
　　战火里家门口越来越近，死亡时刻威胁着这对孤单的母女，而超自然的现象也相继在风雨飘摇的家中发生……

　　月黑风高之夜，古镜封印阵法被破坏，千年大BOSS僵尸出世，古镜之灵被释放。

　　钱麟遂父亲心愿，带上门客亦卿和小厮春子，来到七灵峰找辛于学习剑法。亦卿与辛于因为投缘结为知音，岁月静好。子夜来到辛庄要挑战辛于，被辛于重伤，钱麟却对子夜一见如故，教他辛于的剑法。亦卿看出子夜身上戾气，劝阻钱麟，钱麟毫不在意。子夜却在剑术精进后杀了钱麟的师父辛于，两人积怨。辛于死后，子夜在江湖声名鹊起，并暗中送银子给钱麟。子夜与钱麟相遇，两人间隙更甚，亦卿见钱麟对自己疏离，也伤怀离开钱府……

The story appears simple on the surface, but is revealed, especially after multiple viewings, as more multi-layered and textured than Cassavetes at his best. Ostensibly it concerns a 14-year old Catholic girl, Wynne (Agutter) growing up in this post-modern wasteland, who develops a crush on her much older adoptive brother (Marshall)- a crush which perversely deepens and grows into infatuation once she starts to believe he is the local sex killer. This is in itself an idea that makes you sit up and jolt, but as the narrative develops, it continues not necessarily along a linear path but in several confusing and fascinating directions: the family__APOS__s history, (detailed effectively in chilling flashback during an improvised seance) is a chequered one, and has suffered at least one major relocation and upheaval in the last ten years. At the crux, however, it__APOS__s the depiction of socialal changes that make I Start Counting so fascinating and elevate its language far beyond the confines of the standard horror film. The major subtext- that teenage girls were maturing more quickly than before, and developing full sexual and romantic appetites (even if in thought rather than deed) but were not possessed of enough discretion to make the right choices- was a step forward for a genre in which its young females had previously been portrayed as bimbo victims (Cover Girl Killer and The Night Caller spring to mind), but not one that all viewers would necessarily agree with. But most striking of all, and possibly the most enduring image which the viewer will take away with them, is of the masterful symbolism with which director Greene invests every shot. Every inch of the Kinch family__APOS__s world- their house, their walls, their TV, Agutters underwear, bedroom furniture and toys, Sutcliffe__APOS__s clothes, Marshalls van, the local Catholic church, their town centre, their record shop) - is painted a bright, scintillating white- a white which, by inference, is slowly becoming smudged and corrupted with the dirt of the outside world. White also symbolises, of course, purity and innocence (two qualities Catholic schoolgirls are supposed to hold dear), and it is into this world of innocence that the ever-present red bus (a symbol of violation and penetration), conducted by the lecherous yet similarly juvenile Simon Ward, makes regular journeys. The allegory is further expanded in one scene where Agutter believes she sees the Christ figure in church weeping blood: by the time we acknowledge it, its gone, but the seed has already been planted. Rarely in a genre production has the use of colour and background been so important or effective in creating a uniformity of mood. I Start Counting is as near-perfect an end to a decade as one could hope for, and exactly the kind of film people should be making now- which is, of course, exactly why they never will. A genre essential. by D.R. 

　　静穆女中的少女接连失踪，榔头重重落下揭开了一起复仇案件的序幕。参与霸凌的少女尸体陆续被发现，遭遇霸凌的哑女小彤在校庆典礼中下落不明。偷窥的少年、长舌的房东、无言的丈夫、未曾露面的邻居……李涵决定找到女儿，亲自查出真相。

　　该片是以现在的 商界奇才“史玉柱”为原型人物的创业 故事进行多次改编而成。

　　Lucas Jackson（保罗•纽曼 Paul Newman 饰），一个越战的退伍兵，在一个喝醉酒的夜里拆掉了镇上的停车计时器而被判两年的监禁。一开始，他就挑战监狱里的领袖人物Dragline（乔治•肯尼迪 George Kennedy 饰）。Dragline个头比Lucas大得多，把Lucas打得毫无还手之力，但Lucas却一直拒绝屈服，因此赢得了Dragline的尊重。而在监狱的扑克比赛中，Lucas屡屡取胜，得名Cool Hand Luke。Lucas的母亲和侄子的来访让他备受鼓舞，虽然他在监狱里要忍受许多恶劣的环境和非人的待遇，但他依旧对前途充满了希望。然而母亲的逝世却让他陷入了深深的痛苦。他比之前更想要逃狱，然而一次次的失败，和监狱长的无情，让他的路越来越难走……
　　本片获奥斯卡最佳男配角奖。