回光奏鸣曲

　　辛慧（凤飞飞）随身份是广告导演的男友罗仔（陈友）在澎湖出外景时，结识盲人金台（阿B），被其纯朴吸引。得知金台双眼失明原因以及有望复明后，辛慧给予他尽可能多的宽慰和帮助，并渐渐爱上了他。力的作用是相互的，这边金台也爱上了辛慧。
　　辛慧边同金台恋爱，边从另一角度审视自己走过的路，发现所谓独立只是假像，自己一直在沿着一条早已规划好的路走，决定在少女时代结束前去圆最本真的个人梦想。个性使然，也因觉得金台能理解到，她没向金台解释携罗仔上路的原因，误会产生，但没到不可挽救的程度。

　　出品单位: 北京名扬星斗影视文化传媒
　　片中叙述的是抗日战争时期，新婚不久便“守寡”的果儿（张镝饰演）在逃亡途中被猎户高满山（战卫华饰演）搭救，日久生情，俩人结为夫妻。后来高满山救了一位负伤的八路军战士，果儿认出他就是三年前“死去”的丈夫李顺红（李明阳饰演）。一时间三个人陷入感情纠葛之中，但民族大义最终战胜了儿女情长。

　　Netflix近日公布了让冬歇期苦等剧集的观众们感到惊喜的消息——由沃卓斯基姐妹执导的科幻剧集《超感猎杀》将在12月23日推出长达两小时的圣诞特别篇。第一部的人马大部分会回归，阿梅尔·艾米恩的角色将由托比·奥伍梅尔替代。

　　爱普尔（米密·罗杰斯 Mimi Rogers 饰）和西恩（安德鲁·爱尔莱 Andrew Airlie 饰）是感情非常要好的两兄妹，生活在一个平静而幸福的家庭之中。一天，一场可怕的龙卷风袭击了兄妹两所在的城市，他们不得不面对眼睁睁的看着双亲被龙卷风吞噬这一悲惨的命运。
　　一晃眼18年过去了，爱普尔和西恩都已经长大成人，面对过去的伤痛，他们选择了两条截然不同的道路。爱普尔成为了一名龙卷风研究者，希望能够更加透彻的了解这个食人的怪物，而西恩则去往了西雅图生活，因为那是一个被龙卷风袭击的概率非常非常低的城市。一次偶然中，爱普尔发现天气情况异常，一场可怕的风暴灾难即将发生在西雅图。

　　影片主要讲述了少林武僧大龙，痴迷武功，争强好胜，在争夺达摩院弟子席位时出手狠厉，师傅认为其武功虽强，武学尚浅，于是将名额给了大龙的师弟，并让大龙还俗下山，在红尘中修行，大龙还俗后来到了功夫小镇生活。这里高手云集、卧虎藏龙，众多功夫高手隐世于此。一日，小镇来了四名外国高手，他们的出现彻底打破了功夫小镇往日的宁静。面对他们的挑衅大龙与一众高手均被四人打败，大龙深受打击，一度一蹶不振，这时在他身边出现了一名古稀老者（梁小龙饰），大龙深知此人不凡一心希望拜老者为师，在多次被拒后大龙仍然坚持不懈，最终感动老者，如愿得到老者点悟，在5年一度的功夫小镇比武大赛中，大龙邀请了以入达摩院的师弟，二人联手力战四名狠辣的外国高手，最终取得冠军。正在大龙因获得冠军而沾沾自喜的时候，小镇守卫多年的国宝《千金药方》被盗轰动了功夫小镇，原来四名外国高手都是国际特种兵组织的高手，这四人挑战是假，借机偷取《千金药方》是真，于是大龙与师弟协助警方开始了一场生死追捕，最终将胆敢犯我华夏者绳之以法，成功追回了我国古书典籍。

　　胡安妮塔受够了现在的生活，她离开已经长大的孩子，驱车上路寻找新的开始。

　　1990年代，某城市。歌手阿兰（何晴 饰）对当下流行音乐有着独到的体悟和见解，她渴望在演出中张扬自己的个性，唱出自己的风格。但签约公司对她的发展前景与包装理念与她本人的想法格格不入，令她十分纠结。阿兰的男友江伦（胡军 饰）要求她顺应公司的安排，不要标新立异，更使她感觉苦恼。一个偶然的机会，阿兰邂逅某广告公司许宁（李亚鹏 饰），俩人顿感有似曾相识的感觉。许宁帅气豁达谈吐优雅，他了解阿兰苦衷后，耐心向她讲述了守桥将士的英勇壮举和义薄云天的感人故事。阿兰出神的听着，被许宁的讲述完全打动了。她应邀去部队为战士们演出，感到自己的艺术才华得到了最大程度的量化......

　　劇場版では、“チームラジハ”の放射線技師たちが史上最大の困難に立ち向かうさまが描かれる。

The story appears simple on the surface, but is revealed, especially after multiple viewings, as more multi-layered and textured than Cassavetes at his best. Ostensibly it concerns a 14-year old Catholic girl, Wynne (Agutter) growing up in this post-modern wasteland, who develops a crush on her much older adoptive brother (Marshall)- a crush which perversely deepens and grows into infatuation once she starts to believe he is the local sex killer. This is in itself an idea that makes you sit up and jolt, but as the narrative develops, it continues not necessarily along a linear path but in several confusing and fascinating directions: the family__APOS__s history, (detailed effectively in chilling flashback during an improvised seance) is a chequered one, and has suffered at least one major relocation and upheaval in the last ten years. At the crux, however, it__APOS__s the depiction of socialal changes that make I Start Counting so fascinating and elevate its language far beyond the confines of the standard horror film. The major subtext- that teenage girls were maturing more quickly than before, and developing full sexual and romantic appetites (even if in thought rather than deed) but were not possessed of enough discretion to make the right choices- was a step forward for a genre in which its young females had previously been portrayed as bimbo victims (Cover Girl Killer and The Night Caller spring to mind), but not one that all viewers would necessarily agree with. But most striking of all, and possibly the most enduring image which the viewer will take away with them, is of the masterful symbolism with which director Greene invests every shot. Every inch of the Kinch family__APOS__s world- their house, their walls, their TV, Agutters underwear, bedroom furniture and toys, Sutcliffe__APOS__s clothes, Marshalls van, the local Catholic church, their town centre, their record shop) - is painted a bright, scintillating white- a white which, by inference, is slowly becoming smudged and corrupted with the dirt of the outside world. White also symbolises, of course, purity and innocence (two qualities Catholic schoolgirls are supposed to hold dear), and it is into this world of innocence that the ever-present red bus (a symbol of violation and penetration), conducted by the lecherous yet similarly juvenile Simon Ward, makes regular journeys. The allegory is further expanded in one scene where Agutter believes she sees the Christ figure in church weeping blood: by the time we acknowledge it, its gone, but the seed has already been planted. Rarely in a genre production has the use of colour and background been so important or effective in creating a uniformity of mood. I Start Counting is as near-perfect an end to a decade as one could hope for, and exactly the kind of film people should be making now- which is, of course, exactly why they never will. A genre essential. by D.R. 

　　The trials and triumphs of Malti, an acid attack survivor. From the investigation of the attack to the court proceedings, the medical treatment to the emotional healing. Chhapaak is the story of the unquashable human spirit.

　　邓巴中尉（凯文•科斯特纳 Kevin Costner 饰）在南北战争中立了大功，政府为了褒奖他，给了他任意选择驻地的特权。邓巴渴望着一种全新的生活，于是选择了遥远偏僻的西部哨所塞克威克。这里住着大量的印第安苏族人。
　　一开始苏族人把他的到来有着抗拒，当邓巴主动接近和了解他们的生活，并搭救了一个从小在苏族长大的白人少女后，族人和他之间的关系开始回暖。他得到了一个印第安名字：与狼共舞。邓巴的骑术让族人惊叹，他的善良被大家称赞，和白人少女也日久生情。一次对抗外族入侵的战争中，邓巴更是被封为了苏族人的民族英雄。
　　然而马背文化的没落已成必然，白人士兵来到这片土地，驱赶苏族人，捕捉“叛徒”邓巴，这片朴实的土地慢慢改变了容颜……

　　因为父亲的遗嘱，离家十五年的小菲（周迅 饰）被同父异母的姐姐璎子（邬君梅 饰）派人接回了家。小菲母亲的低微出身让小菲从小便立誓要作一个有出息的女人，然尔姐姐那种高高在上的贵族气质对小菲同样充满了诱惑，小菲慢慢的习惯了有姐姐的日子，她似乎又找到了家的感觉。当小菲得知姐姐只是想利用她拿到遗产然后和自己的爱人黄先生（王志文 饰）出国时，小菲陷入深深的失望，她不想失去姐姐和失而复得的家。此时，多情的黄先生流露出的暧昧让小菲找到了报复的缺口，然而报复和欲望并没有带给她所期望快感……