不哭妈妈

　　并州发生鼠患，监狱坍塌，狄仁杰临危受命。大量村民因为鼠患而染病，被困城中。狄仁杰为了挽救全城百姓的性命，追查病源，然而随着调查的深入，原来鼠灾背后竟然还隐藏着一个巨大的阴谋。

　　在一个边远的北方小镇，一条街，一边住户，一边商家，组成了完整而破败的社区。
　　12岁的男孩托马斯（Leonard Lucieer 饰）成天将自己打扮成黑人模样，宛如他所崇拜的刚果领袖Lumumba。男孩的妈妈玛莎（Annet Malherbe 饰）因听到圣音教诲而成为信女，并拒绝和丈夫行房。身为屠夫的爸爸雅可布（Jack Wouterse 饰）饱受性欲煎熬，只能在店里偷窥别的女人。
　　邮差普莱格（Alex van Warmerdam 饰）是托马斯的唯一好友，他的爱好是偷拆他人信件。护林员整日荷枪实弹巡逻，三番五次向邮差找茬。某天，一个黑人的到来搅乱了小镇看似平静的生活……

　　剧情灵感来自戴维森的真实生活，包括他那在911事件中去世的消防员父亲。主角为二十多岁的男子Scott，他跟妈妈住一起，梦想是当纹身师，但每天除了吸麻和朋友鬼混、暗暗勾搭青梅竹马之外无所事事。而妈妈找的新男友却引发了一系列事件，迫使开始Scott正视自己的人生。

　　修女莫妮卡与一群年龄各异的牧师共同住在智利海岸边的一所房子里。在每天祈祷和做忏悔之余，他们训练灵缇犬（Greyhound）参加比赛。到底是什么把他们带到了这里，带到这块潮湿粘稠的微风持续吹拂的世界尽头。有一天，新来了一位牧师，但这位新牧师收到了来自他人的严厉指控。那个指控他的声音越来越响，直到它被一声枪响中断。年轻的牧师选择用自杀的方式来回避指控。上头派来了调查员，但这位调查员是不是真的希望查明事情的真相呢？也许他的出现只是希望继续维持着这里美丽的表象。
　　电影一点一点地将黑暗中的秘密揭示出来，挖掘了这些上帝仆人的过往，并无情地揭示了天主教堂里存在的许多矛盾。导演的剧本做到了教堂本身没有做到的事情，他并不是简单的惩罚一个替罪羊。影片实际上严格遵守了基督教中关于殉难的规则和仪式。

　　因为妹妹顽皮而遭遇车祸，失去双腿的乔毅然，不忍心看着家人为自己伤心，带着一种悲伤的情绪，独自出门，遇到好心的房东夫妻收留，在与房东女儿苏曼的接触中，双方互生好感。
　　乔毅然偶然中看到一个叫叶小晴的男孩，不愿意说话，害怕跟人接触，他向苏曼打听，得知叶小晴的遭遇后，想要帮助他，可是，叶小晴的妈妈却不领情，还将叶小晴送回了老家。
　　苏曼的追求者韩辉，仗着自己家里与苏曼的家里有生意往来，以苏曼未婚夫的身份来羞辱乔毅然，导致乔毅然黯然神伤的离开，但是，乔毅然并没有放弃希望，他辗转了很多地方，去寻找叶小晴的下落。
　　乔毅然在寻找叶小晴的过程中，看到了世界残奥会冠军姚娟的报道，他的心里，升起了一种希望，苏曼帮助乔毅然联系上了世界残奥会冠军姚娟，在姚娟的帮助下，他们顺利地找到了叶小晴，并给予救助。
　　谁知，叶小晴在特殊教育学校的舞台上突然晕倒，诱发了叶小晴母亲潜在的疾病，为了不影响叶小晴的治疗，姚娟、乔毅然和苏曼，只能瞒着叶小晴。
　　有了姚娟的鼓励，乔毅然欣然回家安装假肢，却发现自己的妹妹乔淑然，跟他的主治医生罗文博暗生情愫，而乔家父母却因为罗医生离过婚，有个孩子而反对他们的交往，乔毅然了解了事情的真相以后，选择了祝福，而这个时候，乔淑然也发现了苏曼和哥哥之间的感情，她鼓励乔毅然去追求自己的幸福。
　　韩辉尾随着苏曼，看到了苏曼在特殊教育学校，帮助那些小朋友，心生愧疚，反省自己的所作所为，流下了悔恨的泪水，还要求苏曼让自己也尽一份，并承诺：做一个对社会有用的人。
　　苏曼在姚娟的鼓励下，看清楚了自己的内心，她面对乔毅然的一再退缩，掀开了自己的裙子，露出了被金属固定的左腿，乔毅然惊愕，将苏曼紧紧地拥入怀中。

　　故事以民国时代为背景，齐班主带着戏班四处给村民唱戏，以此谋生。某天戏班流落到一个十五年前就借住过的乡村，但戏班成员却感受到村中异样的气氛。
　　时至傍晚，文梦独自外出捡干柴，偶遇一支送葬队伍，避开队伍时，不慎迷路，遍寻出路无门之际在树林里碰到了一位老汉，老汉的言行使其受到惊吓，随后晕厥。

　　故事发生在两伊战争期间，业已成家生子的Shideh（Narges Rashidi  饰）渴望回到大学校园完成学业，然而历史问题使她的学业之梦彻底破灭。她的丈夫Iraj（Bobby Naderi饰）是一名事业有成的医生，Iraj不久前接到征兵通知，这让本来心情烦乱的Shideh愈加焦躁不安。令人不快的争吵过后，一家三口凄凄诀别。他们的小女儿Dorsa（Avin Manshadi 饰）夜晚无法安然入睡，Dorsa从小伙伴那里听说了巨灵的恐怖故事，这让她心有惴惴，时刻担心恐怖降临。
　　战火里家门口越来越近，死亡时刻威胁着这对孤单的母女，而超自然的现象也相继在风雨飘摇的家中发生……

　　该片作为纪念毛主席“向雷锋同志学习”题词发表五十周年献礼大片，由八一电影制片厂黄宏厂长担任总监制、八一电影制片厂故事片部导演室张玉中副主任亲自执导，著名演员唐国强、李幼斌、巫刚、宋春丽、侯勇等中国影视中坚力量全情加盟。该片从毛主席回忆雷锋生前一张张可敬可爱的微笑照片开始，全新讲述雷锋从一名普通战士成长为全军全国人民共同学习的榜样历程。

　　钱麟遂父亲心愿，带上门客亦卿和小厮春子，来到七灵峰找辛于学习剑法。亦卿与辛于因为投缘结为知音，岁月静好。子夜来到辛庄要挑战辛于，被辛于重伤，钱麟却对子夜一见如故，教他辛于的剑法。亦卿看出子夜身上戾气，劝阻钱麟，钱麟毫不在意。子夜却在剑术精进后杀了钱麟的师父辛于，两人积怨。辛于死后，子夜在江湖声名鹊起，并暗中送银子给钱麟。子夜与钱麟相遇，两人间隙更甚，亦卿见钱麟对自己疏离，也伤怀离开钱府……

　　讲述两个30多岁、有自毁倾向的美国人Mickey和Chloe住在雅典，发展出了海啸般的恋爱：Chloe在希腊的时光本已到了尾声，她该回到美国继续自己有远大前程的工作，但她决定放弃，想要探索一个周末的热情是否会随着不可避免的周一到来而消退。

The story appears simple on the surface, but is revealed, especially after multiple viewings, as more multi-layered and textured than Cassavetes at his best. Ostensibly it concerns a 14-year old Catholic girl, Wynne (Agutter) growing up in this post-modern wasteland, who develops a crush on her much older adoptive brother (Marshall)- a crush which perversely deepens and grows into infatuation once she starts to believe he is the local sex killer. This is in itself an idea that makes you sit up and jolt, but as the narrative develops, it continues not necessarily along a linear path but in several confusing and fascinating directions: the family__APOS__s history, (detailed effectively in chilling flashback during an improvised seance) is a chequered one, and has suffered at least one major relocation and upheaval in the last ten years. At the crux, however, it__APOS__s the depiction of socialal changes that make I Start Counting so fascinating and elevate its language far beyond the confines of the standard horror film. The major subtext- that teenage girls were maturing more quickly than before, and developing full sexual and romantic appetites (even if in thought rather than deed) but were not possessed of enough discretion to make the right choices- was a step forward for a genre in which its young females had previously been portrayed as bimbo victims (Cover Girl Killer and The Night Caller spring to mind), but not one that all viewers would necessarily agree with. But most striking of all, and possibly the most enduring image which the viewer will take away with them, is of the masterful symbolism with which director Greene invests every shot. Every inch of the Kinch family__APOS__s world- their house, their walls, their TV, Agutters underwear, bedroom furniture and toys, Sutcliffe__APOS__s clothes, Marshalls van, the local Catholic church, their town centre, their record shop) - is painted a bright, scintillating white- a white which, by inference, is slowly becoming smudged and corrupted with the dirt of the outside world. White also symbolises, of course, purity and innocence (two qualities Catholic schoolgirls are supposed to hold dear), and it is into this world of innocence that the ever-present red bus (a symbol of violation and penetration), conducted by the lecherous yet similarly juvenile Simon Ward, makes regular journeys. The allegory is further expanded in one scene where Agutter believes she sees the Christ figure in church weeping blood: by the time we acknowledge it, its gone, but the seed has already been planted. Rarely in a genre production has the use of colour and background been so important or effective in creating a uniformity of mood. I Start Counting is as near-perfect an end to a decade as one could hope for, and exactly the kind of film people should be making now- which is, of course, exactly why they never will. A genre essential. by D.R. 

　　沙拉德·内拉尔卡毕生致力于成为一名印度古典音乐歌手，并努力遵循前辈们、大师和父亲的传统理念和教导。但随着时间的流逝，沙拉德开始怀疑他所追求的卓越是否真的现实。