格列佛最后的旅行

　　赌王雷天在赌术大赛中因对手“赌花”上官飞花（宫雪花 饰）出千而失利，心有不甘的雷天自杀身亡。雷天在警队中的好友华叔于公于私都有惩治上官飞花的理由，于是请犀牛皮（冯淬帆 饰）召集其他几位福星罗汉果（曾志伟 饰）、大山地（吴耀汉 饰）和花旗参（苗侨伟 饰）参加赌术特训，以期能够战胜上官飞花。雷天之女雷慧琳（冯秀燕 饰）及其替身也一同受训，鹧鸪菜（洪金宝 饰）因受伤不能参加委托少林僧人清补凉代替。众位福星在赌术老师（郑佩佩 饰）和千王（陈百祥 饰）的调教下进步神速。华叔见时机已到，派出众福星和雷慧琳内应外合盗出上官飞花财产，并通过新一届赌术大赛要上官飞花身败名裂……

　　出品单位: 北京名扬星斗影视文化传媒
　　片中叙述的是抗日战争时期，新婚不久便“守寡”的果儿（张镝饰演）在逃亡途中被猎户高满山（战卫华饰演）搭救，日久生情，俩人结为夫妻。后来高满山救了一位负伤的八路军战士，果儿认出他就是三年前“死去”的丈夫李顺红（李明阳饰演）。一时间三个人陷入感情纠葛之中，但民族大义最终战胜了儿女情长。

这个年轻的女孩有失眠症。母亲是一位艺术家。这只狗叫马塞尔。小女孩非常爱她的妈妈，但她的妈妈爱马塞尔胜过一切。一个不可预知的事件会让那些爱的圈子重新连接起来吗?

　　1963年，霍金21岁的人生发生了一悲一喜两个重大事件。这一年他被确诊患上了肌萎缩侧索硬化症，这种病会使他的身体越来越不听使唤，只剩下心脏、肺和大脑还能运转，最后连心肺功能也会丧失，当时大夫预言他只能再活两年。这一致命的打击几乎使霍金放弃了学业，但生日舞会上一个女孩的出现神奇地改变了一切，她就是霍金的第一任妻子简。

　　崔志勋因犯事被分配到韩国有名的恶霸高中——大顺高中，这里的学生大多是有过犯罪前科的人，他们无恶不作，然而在这所混乱的高中，也有着独有的规矩，崔志勋想要重建大顺高中的秩序，就必须成为这所学校最强的校霸，这条称霸之路，并不容易...

　　本片依据Howard Hughes的生平改编。
　　Howard Hughes（Leonardo DiCaprio 饰）出生于美国德州休士顿，18岁时，他继承父亲德州油井的财富，心怀电影梦想移居好莱坞。1926年他买入125家戏院的控制权，砸下数百万美金拍了实景空战史诗电影《地狱天使》，成为著名的制片人；1939年，他入主环球航空公司，他迅速使公司扭亏为盈，二战期间与美国军方合作，主持了蓝云杉飞机的发明和改进。
　　Howard Hughes在事业上取得巨大成功的同时，他也饱受了忧郁症和精神官能强迫症的折磨；他的感情生活波折重重，Katharine Hepburn（Cate Blanchett 饰）、Ava Gardner（Kate Beckinsale 饰）先后离开他，让他备受打击。
　　影片选取Howard Hughes重要的生活事件，真实地再现了他的传奇。

　　故事设定在一个死后的奇异时空，所有自杀后的人都会被聚集到这里。在这个异次元的世界里，除了每个人都拥有神奇力量外，一切看似跟现实世界毫无分别。男主人公齐亚（派屈克·福吉特 Patrick Fugit饰）为情割腕自杀后，本以为能就此一了百了，却阴差阳错的坠入这个自杀者的天堂。在路上，齐亚先后遇见了因各种原因自杀的路人，后与另外两位自杀者结伴同行，一起踏上了神奇旅程。

　　《谁能阻挡我们》呼吁改变我们对青少年的看法；我们对那些出生于21世纪初、最近才成年的人的看法；那些现在看来对一切都抱有愧疚的人，他们亲眼看到了自己的希望破灭。这部介于纪录片、小说和纯粹的证据记录之间的电影让年轻的青少年展示了他们真正的样子，我们很少看到的样子，或者他们让我们看到的样子：利用电影镜头展示他们最好的一面，重新赢得我们对未来的信任；从脆弱和情感出发，带着幽默、智慧、信念和想法。因为向我们讲述爱情、友谊、政治或教育的年轻人，不仅是在讲他们自己，而且也是在对任何年龄段的我们始终重要的事情。《谁能阻挡我们》是一部关于我们自己的电影：关于我们的过去、现在和将来。

　　讲述两个30多岁、有自毁倾向的美国人Mickey和Chloe住在雅典，发展出了海啸般的恋爱：Chloe在希腊的时光本已到了尾声，她该回到美国继续自己有远大前程的工作，但她决定放弃，想要探索一个周末的热情是否会随着不可避免的周一到来而消退。

The story appears simple on the surface, but is revealed, especially after multiple viewings, as more multi-layered and textured than Cassavetes at his best. Ostensibly it concerns a 14-year old Catholic girl, Wynne (Agutter) growing up in this post-modern wasteland, who develops a crush on her much older adoptive brother (Marshall)- a crush which perversely deepens and grows into infatuation once she starts to believe he is the local sex killer. This is in itself an idea that makes you sit up and jolt, but as the narrative develops, it continues not necessarily along a linear path but in several confusing and fascinating directions: the family__APOS__s history, (detailed effectively in chilling flashback during an improvised seance) is a chequered one, and has suffered at least one major relocation and upheaval in the last ten years. At the crux, however, it__APOS__s the depiction of socialal changes that make I Start Counting so fascinating and elevate its language far beyond the confines of the standard horror film. The major subtext- that teenage girls were maturing more quickly than before, and developing full sexual and romantic appetites (even if in thought rather than deed) but were not possessed of enough discretion to make the right choices- was a step forward for a genre in which its young females had previously been portrayed as bimbo victims (Cover Girl Killer and The Night Caller spring to mind), but not one that all viewers would necessarily agree with. But most striking of all, and possibly the most enduring image which the viewer will take away with them, is of the masterful symbolism with which director Greene invests every shot. Every inch of the Kinch family__APOS__s world- their house, their walls, their TV, Agutters underwear, bedroom furniture and toys, Sutcliffe__APOS__s clothes, Marshalls van, the local Catholic church, their town centre, their record shop) - is painted a bright, scintillating white- a white which, by inference, is slowly becoming smudged and corrupted with the dirt of the outside world. White also symbolises, of course, purity and innocence (two qualities Catholic schoolgirls are supposed to hold dear), and it is into this world of innocence that the ever-present red bus (a symbol of violation and penetration), conducted by the lecherous yet similarly juvenile Simon Ward, makes regular journeys. The allegory is further expanded in one scene where Agutter believes she sees the Christ figure in church weeping blood: by the time we acknowledge it, its gone, but the seed has already been planted. Rarely in a genre production has the use of colour and background been so important or effective in creating a uniformity of mood. I Start Counting is as near-perfect an end to a decade as one could hope for, and exactly the kind of film people should be making now- which is, of course, exactly why they never will. A genre essential. by D.R. 

　　大陆女生慕容碧（王奕瑾 饰）与香港男生凌志南（黄恺杰 饰）在台湾南部海滨相逢产生恋情，却因为误会而分开。多年后，前途光明的慕容碧因为业务疏失，受迫必须在限期内成功推行专案。为此，她只得答应表姐袁晓慧（钱柏渝 饰）的要求，在不违反社会道德规范之下，出卖三个东西：爱情、灵魂和身体。在此期间，凌志南因故来到北京，却意外与慕容碧不期而遇。两人是否会因为那幅载满记忆的《珍珠岛的天空》重燃爱恋，共同面对当初分手的真正答案呢？