红色珍珠
7.0 |前天11:00 |更新至第92集
简介:

 [스포티비뉴스=강효진 기자] 배우 박진희가 본격 컴백 활동에 나선다.7일 스포티비뉴스 취재에 따르면, 박진희는 KBS 새 일일드라마 __APOS__붉은 진주__APOS__의 주인공으로 출연한다.박진희는 1996년 드라마 __APOS__스타트__APOS__ 이후 __APOS__행복을 만들어드립니다__APOS__, __APOS__싱싱 손자병법__APOS__, __APOS__미우나 고우나__APOS__, __APOS__카이스트__APOS__, __APOS__비단향꽃무__APOS__, __APOS__돌아와요 순애씨__APOS__, __APOS__쩐의 전쟁__APOS__, __APOS__아직도 결혼하고 싶은 여자__APOS__, __APOS__자이언트__APOS__, __APOS__구암 허준__APOS__, __APOS__리턴__APOS__, __APOS__태종 이방원__APOS__ 등 다양한 작품에서 활약해왔다.2022년 __APOS__태종 이방원__APOS__에서 원경왕후 민씨 역을 맡은 이후 __APOS__술꾼도시여자들2__APOS__, __APOS__7인의 부활__APOS__ 특별출연으로 꾸준히 활동해왔다. 또한 최근에는 교양·예능 프로그램을 통해 활약해왔고, 환경 보호에 힘쓰는 __APOS__에코 진희__APOS__로도 인지도가 높다.특히 __APOS__붉은 진주__APOS__가 촬영 분량이 많은 일일드라마인 만큼 __APOS__구암 허준__APOS__ 등으로 일일드라마 내공이 있는 박진희가 어떤 활약을 보여줄지 주목된다.한편 __APOS__붉은 진주__APOS__는 대본 리딩을 앞두고 있다.

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出门挣钱的人
4.0
更新时间:2025年08月02日
主演:刘昌伟,方辉,陈佩斯,张雁,王显
简介:

  中文名出门挣钱的人
  导    演张郁强
  编    剧陈世濂
  上映时间1983年
  主 演:刘昌伟 王显 张雁 陈佩斯 方辉
  地 区:中国大陆
  颜 色:彩色
  类 型:剧情片
  青海某地生产队队长刘成业领着三个社员利用农闲出门挣钱。他们在途中意外地遇见了一群无主的羊群。面对羊群,青年农民尕顺提议住一天,等等失主;大保担心误了合同搞不成副业,队长刘成业同意尕顺的意见,马大爷也同意等上一天。但是,这一天非但没等到失主,反而遇上了大暴雨,四个人折腾了一夜,才算保住了这二百多头羊。因失主迟迟不来,刘成业产生卖掉羊挣一笔钱的打算,他到集镇卜摸清了卖羊的价钱。但却遭到马大爷的反对。尕顺找到一家藏民的羊圈,刘成业不得已同意把羊赶到藏民家养起来。刘成业要卖羊,尕顺要护羊,马大爷都看在眼里,但他不作声,因为他暂时还不知道怎么办更好。大保因这群羊耽误了搞副业的时间,赶了一部份羊去卖,尕顺发现后追上来,两人竞打了一架。合同眼看就要过期,失主无踪影,羊又卖不得,怎么办?马大爷也表示拖下去不是个事,刘成业见机会成熟,准备去问问农场,如果羊不是他们的,就下决心卖掉。后来,他找到曾经一起做过买卖的老桂,商谈羊价;但警车的轰鸣又使他警觉起来,告辞而去。贪财成性的老桂,跟着假冒失主找上了门,刘成业不但没揭露,反而向老桂索取了一大笔劳务费,老桂答应了他的所有条件,并加倍付了耽误合同的损失费一千元。藏族姑娘赛日措识破了老桂的阴谋诡计,揭穿了他的真实身份。顿时,真相大白。老桂见事败露,便把责任推到刘成业身上。刘成业悔悟自己做了不合法的事,勇敢地承认下来。尕顺大为失望,因为他十分信任刘成业。赛口措找来农场领导王主任,老桂被带走,王主任检查了自己的官僚主义作风,并十分感激这四位品格高尚的农民,为表彰他们,王主任代表农场向他们颁发了奖状。四位农民坚信,继续向前走,凭着我们的力气,一定能挣到钱。他们又赶着火车上路了。

36
1983
出门挣钱的人
主演:刘昌伟,方辉,陈佩斯,张雁,王显
倒计时
132
2.0
HD中字
倒计时
2.0
更新时间:2025年08月02日
主演:珍妮·艾加特,布莱恩·马歇尔,Clare,Sutcliffe,西蒙·沃德
简介:

The story appears simple on the surface, but is revealed, especially after multiple viewings, as more multi-layered and textured than Cassavetes at his best. Ostensibly it concerns a 14-year old Catholic girl, Wynne (Agutter) growing up in this post-modern wasteland, who develops a crush on her much older adoptive brother (Marshall)- a crush which perversely deepens and grows into infatuation once she starts to believe he is the local sex killer. This is in itself an idea that makes you sit up and jolt, but as the narrative develops, it continues not necessarily along a linear path but in several confusing and fascinating directions: the family__APOS__s history, (detailed effectively in chilling flashback during an improvised seance) is a chequered one, and has suffered at least one major relocation and upheaval in the last ten years. At the crux, however, it__APOS__s the depiction of socialal changes that make I Start Counting so fascinating and elevate its language far beyond the confines of the standard horror film. The major subtext- that teenage girls were maturing more quickly than before, and developing full sexual and romantic appetites (even if in thought rather than deed) but were not possessed of enough discretion to make the right choices- was a step forward for a genre in which its young females had previously been portrayed as bimbo victims (Cover Girl Killer and The Night Caller spring to mind), but not one that all viewers would necessarily agree with. But most striking of all, and possibly the most enduring image which the viewer will take away with them, is of the masterful symbolism with which director Greene invests every shot. Every inch of the Kinch family__APOS__s world- their house, their walls, their TV, Agutters underwear, bedroom furniture and toys, Sutcliffe__APOS__s clothes, Marshalls van, the local Catholic church, their town centre, their record shop) - is painted a bright, scintillating white- a white which, by inference, is slowly becoming smudged and corrupted with the dirt of the outside world. White also symbolises, of course, purity and innocence (two qualities Catholic schoolgirls are supposed to hold dear), and it is into this world of innocence that the ever-present red bus (a symbol of violation and penetration), conducted by the lecherous yet similarly juvenile Simon Ward, makes regular journeys. The allegory is further expanded in one scene where Agutter believes she sees the Christ figure in church weeping blood: by the time we acknowledge it, its gone, but the seed has already been planted. Rarely in a genre production has the use of colour and background been so important or effective in creating a uniformity of mood. I Start Counting is as near-perfect an end to a decade as one could hope for, and exactly the kind of film people should be making now- which is, of course, exactly why they never will. A genre essential. by D.R. 

358
1969
倒计时
主演:珍妮·艾加特,布莱恩·马歇尔,Clare,Sutcliffe,西蒙·沃德
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