农村孩子玉龙由于种种原因，逃学出走，李老师能否将他救赎挽回。

　　走偏门的何镇东一次在越南遇袭几乎丧命，幸得王义勇相救，二人结成莫逆。何成巨富后欲从正途，但其助手李彪，日本仔及宝叔不受控制，暗中扩大势力携手贩毒，警方督察日夜监视，想将何绳之于法。未几，三人罪证落入麦手中，乃协议做控方的污点证人指证何，何大感震惊。王独力杀死三人，身受重伤，何无人指证下获得释放。王在离港之际却被大批警员包围……

　　The subtitle of Jean-Marie Straub and Danièle Huillet’s first feature, from 1965, “Only Violence Helps Where Violence Reigns,” suggests the fierce political program evoked by their rigorous aesthetic. The pretext of the film, set in Cologne, is Heinrich Böll’s novel “Billiards at Half Past Nine,” which they strip down to a handful of stark events and film with a confrontational angularity akin to Bartók’s music that adorns the soundtrack. The subtlest of cues accompany the story’s complex flashbacks. The middle-aged Robert Fähmel tells a young hotel bellhop of persecutions under the Third Reich; his elderly father, Heinrich, an architect famed for a local abbey, recalls the militarism of the First World War, when his wife, Johanna, incurred trouble for insulting the Kaiser. A third-generation Fähmel is considering architecture, just as the exiled brother of Robert’s late wife, returns, only to be met by their former torturer, now a West German official taking part in a celebratory parade of war veterans. Straub and Huillet make the layers of history live in the present tense, which they judge severely. The tamped-down acting and the spare, tense visual rhetoric suggest a state of moral crisis as well as the response—as much in style as in substance—that it demands.

　　A teenage boy lives with his single mum in a flat in South London. Into the flat below moves an anti-social, former Rock God who faked his death 8 years ago. The teenage boy works out who the mysterious neighbour is and blackmails him into teaching him the dark arts of Rock Guitar.

　　The tragic and controversial story of Cameron Todd Willingham, who was executed in Texas for killing his three children after scientific evidence and expert testimony that bolstered his claims of innocence were suppressed.

　　雷纳德（芭芭拉·贝尔·戈迪斯 Barbara Bel Geddes 饰）从小的梦想就是能嫁给一个金龟婿，做全职家庭主妇，长大后，她和百万富翁史密斯（罗伯特·瑞安 Robert Ryan 饰）相爱，并且最终携手步入了婚姻的殿堂。可是，结婚之后雷纳德才发现，婚姻生活并不是她想象的那么美好，而史密斯也有着不为人知的另一面，雷纳德想要和史密斯离婚。
　　雷纳德离家出走了，她宁愿去做诊所接待员，自食其力，也不愿意再活在史密斯的淫威之下。在诊所，雷纳德邂逅了名为拉里（詹姆斯·梅森 James Mason 饰）的医生，两人坠入了爱河，可与此同时，雷纳德发现自己竟然怀孕了。

　　这部影片交织着两个分别用黑白和彩色胶片拍摄的故事。头一个故事讲述的是一位名叫全台的贫苦青年从1965年到1970年的经历。期间他从街头小贩变成了服装厂工人，工厂环境骇人听闻，于是他购买了法律书籍，寻求政府援助，组织工会，与新闻记者交流。但情况始终没有得到改善，于是他采取了一项可怕的举动。五年之后，一位名叫Shin Jung-Soon的年轻孕妇追随全台的道路，也试图在她工作的服装厂组织工会。之后她便受 ...

　　在外人看来，拉塞尔一家是完美的模范家庭，家境富裕，夫妻和睦，儿女出色，几乎毫无任何缺点，然而身为女家长的西尔维娅·拉塞尔（Sonia Dresdel）实际是一个冷酷无情、渴望权力、控制欲爆棚的女人，她想尽各种办法将自己的丈夫亚瑟（Walter Fitzgerald）、儿子特里（Emrys Jones）以及女儿费内拉（Barbara White）玩弄于鼓掌之中。她因为不满意丈夫的平庸无能，使尽各种手段不着痕迹地羞辱丈夫，并且摧毁丈夫所有的心爱之物。由于不满女儿不经她的许可就嫁给瓦伦廷·克里斯蒂医生（Scott Forbes），她怂恿自己家的年轻女仆艾菲（Celia Lipton）去勾引女婿，以达到破坏女儿婚姻的目的。特里是全家唯一一个察觉到母亲的蹊跷之处的人，他虽想要保护自己的妹妹和父亲，却未料到母亲的狠毒程度远超他的想象。

　　闻香楼头牌昭离惨死，痴情于她的孟大侠将乌芒等与昭离生前有纠葛的几人骗来并困于怀秀村，欲用乌诏葬歌为昭离复仇，但随着在场人的不断离奇死亡，众人才意识到真凶早已易容成在场的九人之一并操纵着复仇游戏。最终在乌芒的带领下，真相的谜团逐渐被揭开。

　　普通上班族野野宫良多（福山雅治 饰）和妻子野野宫绿（尾野真千子 饰）结婚多年，感情十分要好，两人共同养育着聪明乖巧的儿子野野宫庆多（二宫庆多 饰），生活宁静中处处透露着幸福。令本以为平静生活将一直持续的三人没有想到的是，一通来自庆多出生的医院的电话将这个小家庭卷入了风口 浪尖之上。
　　原来，庆多并非良多和绿的儿子，而是由斋木雄大（利利·弗兰克 饰）和尤加利（真木阳子 饰）的爱情结晶。是朝夕相处的感情珍贵，还是血脉相连的羁绊重要？面对多年前一个小小误会所酿成的后果，良多和绿不知该何去何从。而对于雄大、尤加利和两人亦非亲生的孩子斋木琉晴（黄升炫 饰）来说，他们亦站在了人生的十字路口之前。

　　“捷克新浪潮电影的黑暗、诡异的奇葩” 捷克奇幻电影杰作选之《魔格亚纳》
　　风靡全球的捷克奇幻电影魅力！
　　导演： 乔拉．赫兹
　　影片简介:一个家庭因为财产分配上的矛盾,姐姐购买了使人产生幻觉的毒药,给妹妹使用了,可是并没有使自己得到需要的东西,幕后隐藏的黑手到底是谁呢？

　　孤儿塞琳娜(伊莎贝尔·帕斯科饰)继承了她养父的大部分遗产，每天都要承受着她昔日继母的强烈不满。为了求得安宁，她放弃了所继承遗产的一部分，因此，骗色骗财的男友离开了她。于是，塞琳娜感到被遗弃而生活孤单，人生毫无价值。塞琳娜迈上了自杀之路。被救起后，护士热娜维耶芙(莉莎·埃雷迪亚饰)打破各种工作常规，介入到塞琳娜的生活中，积极劝说塞琳娜加入到她的瑜伽教学里来，意图通过瑜伽练习恢复塞琳娜的稳定，使其尽快脱离抑郁症的侵扰。尽管热娜维耶芙发现这对塞琳娜有明显的效果，而塞琳娜的神秘体验也微微触动了灵魂上感情的复苏，但不知为什么，热娜维耶芙的愿望并未实现......

　　故事发生在民国初年的北京。韩月容（宋丹丹 饰）幼年丧父，母亲（斯琴高娃 饰）改嫁崔五（孙本厚 饰），崔视月容已出，供她上学念书，不成想崔五意外去世，月容母女重新陷入窘境。为生活所逼迫，母亲做了令人不耻的暗娼，月容觉得抬不起头来，离家住进学校。不久高小毕业，因找不到工作发愁，已有家室的高俊生（廖京生 饰）贪恋月容年轻貌美，为其提供食宿，月容心存感激，只有以身相许。高的妻子孟淑娴（原利 饰）发现丈夫包养女人，几番打探找上门来，月容才清醒过来，了解到自己不过是高俊生的玩物而已。失去生活来源的月容去饭馆当女招待，因不满客人调戏遭解雇，最终也走上了当暗娼的道路，并用卖身的钱接济人老色衰沦为乞丐的母亲......

　　Danny Haley__APOS__s bookie operation is shut down, so he and his pals need money; when Danny meets Arthur Winant, a sucker from out of town, he decoys him into a series of poker games where eventually Winant loses $5000 that isn__APOS__t his...then hangs himself. But it seems Winant had a shadowy, protective elder brother who believes in personal revenge. And each of the card players in turn feels a faceless doom inexorably closing in. Dark streets and sexy torch-singer Fran lend ambience.

　　工于心计的克里斯托弗·沃尔肯饰演恶名昭彰的纽约大流氓韦佛兰，他在出狱之后要收回他在坐牢时失去的毒品市场，跟哥伦比亚帮、意大利帮和华青帮等竞争对手展开宣战，逐渐建立起比以前更庞大的犯罪王国。但因其不可一世的嚣张态度，也激起了另一帮派头目的不满，因而展开一场黑道大火拼……

　　五年徒刑的折磨，使一个虽然充满犯罪细胞的罗刚亦对邪门生涯产生厌悔之念。
　　出狱后的他，曾婉然对慈父誓言永不立足于罪孽的泥沼，他希望妻子脱离舞树笙歌的生活，在家做个贤妻，他也冀望弟弟远离一切不良分子，洁身做个好青年。可是事与愿违，力有不逮，他的行为只是换来妻子和弟弟的戏虐，连同一名对他早有歧见的探长亦对他不谅解。
　　贼性难改是探长对他的格言，而他不羁的弟弟更四出招摇，重复燃起罗刚的旧仇家黑鬼森之积怨，黑鬼森意欲赶尽罗刚，不但把他辛苦得来的工作捣乱，更从侧面谋诱其弟染上毒瘾……

　　萧条的城市里，帮派分子随处可见，担任黑手党会计的杰克因为私吞黑手党财产并向警方告密，而遭到黑手党监视，他一家人被困在公寓中随时会遭遇不测。杰克和妻子将小儿子菲尔托付给单身女邻居葛洛莉（吉娜·罗兰兹 Gena Rowlands 饰），然而他们自己却没能躲过黑手党……欲追回钱款的黑手党继续追索菲尔，但此时，身份并不简单的葛洛莉挺身而出，决定保护这个陌生的男孩。二人在黑手党的包围中侥幸逃走，声称厌恶孩子的葛洛莉与英语不甚流利的混血男孩在步步惊心的旅途中营造了互信与默契，但葛洛莉清楚，真正的把菲尔从黑手党手中解救出来需要她做出一个惊险的决定……

　　In fourteenth-century England, peasant girl Christine Carpenter is so attracted to a statue of the Virgin Mary that the local priest (who lusts after her) suggests she be walled up in the church as an anchoress, a holy woman with responsibility for blessing the villagers. But when the priest has Christine__APOS__s mother tried as a witch, she digs herself out of her cell, a crime for which the punishment is death.

　　伊莎贝尔·于佩斯饰演的安娜，一家四口从城市逃难到乡下，发觉自己的村屋给人占去。争执中丈夫被杀，安娜带着子女流离失所，途中儿子还给一流浪少年扣留。后来到了一个火车站，很多人在苦候，望火车把他们带到安乐郷。安娜听说有一班宗教义士，奉献自己以拯救人类，连她儿子也甘愿受祭。人在极端环境里不见得只剩下狼性。汉尼卡的风格有份严峻之美，正为杜绝滥情，从人之不仁中发现希望。

　　阿泰（许志安 饰）是一名平凡的警察，他并没有什么宏大的职业理想，只想攒够了钱，能够和心爱的女友小愉（梁咏琪 饰）结婚，两人共同拥有一幢小小的宅子，在那里安安稳稳的生活一辈子。
　　小愉在赌场上班，在那里气氛的耳濡目染之下，见惯了大场面的小愉并不满足于普通的生活。她知道阿泰是一个好人，也知道他一定会对自己忠贞不渝，但小愉并没有考虑好，是否要接受阿泰的求婚。在一次行动中，阿泰偶遇了儿时的玩伴仔仔，仔仔交给了阿泰一笔巨款，委托他去送给黑帮大佬权哥，不然的话，仔仔可能性命难保。在接下这一委托的同时，阿泰的生活彻底偏离了正常的轨道。

　　铁观音(梁铮饰)、绿茶(张宝文饰)、香片(麦家琪饰)三个美丽的性感女郎，是目标私家侦探社的精英，老板Martin身份神秘从未公开露面，派三人侦破一宗勒索富豪案。事主李万中(蔡子健饰)是有名的高科技专家，研制出一种新科技软件，能令电脑的效能提升200%，却被商业罪犯盗走软件程式，勒索二千万。老板Martin虽发话替香片澄清，但铁观音总莫名感觉身边有暗......

　　A loving film tribute to Russian filmmaker Larisa Shepitko, who died tragically in a car accident in 1979 at the age of 40. This documentary by her husband, Elem Klimov, includes excerpts from all of Shepitko__APOS__s films, and her own voice is heard talking about her life and art.
　　Elem Klimov__APOS__s grief-stricken elegy Larisa examines the life of his late wife—the film director Larisa Shepitko—through a series of direct-address interviews and photomontages, set against a mournful visual-musical backdrop. Typically, Klimov films his subjects (which include himself and several of Shepitko__APOS__s collaborators) within a stark, snow-covered forest, its tangled web of trees standing in as metaphorical representation of a perhaps inexpressible suffering, the result of Shepitko__APOS__s premature death while filming her adaptation of Valentin Rasputin__APOS__s novella Farewell to Matyora. Interweaving home movie footage with sequences from Shepitko__APOS__s work (Maya Bulgakova__APOS__s pensive plane crash reminiscence from Wings takes on several new layers of resonance in this context), Larisa__APOS__s most powerful passage is its first: accompanied by the grandiose final music cue from Shepitko__APOS__s You and I, Klimov dissolves between a series of personal photographs that encompass Larisa__APOS__s entire life, from birth to death. This brief symphony of sorrow anticipates the cathartic reverse-motion climax of Klimov__APOS__s Come and See, though by placing the scene first within Larisa__APOS__s chronology, Klimov seems to be working against catharsis. The pain is clearly fresh, the wound still festering, and Klimov wants—above all—to capture how deep misery__APOS__s knife has cut.

　　Aston (Robert Shaw), a quiet, reserved man, lives alone in a top-floor cluttered room of a small abandoned house in a poor London district. He befriends and takes in Mac Davies (Donald Pleasence), an old derelict who has been fired from a menial job in a café. In time Aston offers him a job as caretaker of the house. Aston__APOS__s brother, Mick (Alan Bates) - a taunting, quasi-sadist - harasses the derelict when his brother is away, countermanding his orders. Eventually Aston, himself irritated by the cantankerous old man, puts him out.