戏中，萨德本人从未露面，只存在于六名登场人物的对话中。人物的性格也很分明，西缅男爵夫人代表“美德”、而圣芳伯爵夫人代表“恶行”，门托纽夫人则代表了世俗。尽管两位代表善恶的人物更富有戏剧性，然而全剧的中心仍是主人公露涅和门托纽夫人的对立。
　　以剧中人对萨德的态度为例：门托纽夫人认为声名狼藉、锒铛入狱的萨德根本就是家庭的耻辱，而萨德的妻子露涅则截然不同，她真诚地等待着被社会排斥的丈夫，并认为这才是表达真爱的惟一方式。但是，当革命风起云涌，社会价值观也随之改变。萨德出狱并被捧为新时代的旗手，门托纽夫人的态度来了个一百八十度大转弯，她成了萨德的捧哏，称萨德为法国的献身者。
　　而露涅的态度却截然相反。丈夫重新被社会承认，意味着她那孤独的爱就此丧失了根基。不仅如此，她读了萨德在狱中写的小说，里面描写了一位坚持美德的女子的悲剧，露涅在作品中看到了自己的影子。她的孤独之爱从根底瓦解了，同时也意识到之前的半生不过是徒劳，于是她投身修道院，再也不与萨德相会。剧中露涅曾说：“与其付诸行动，不如创制法则……”
　　这句话也可以理解为“与其委身现实，不如付诸思想”。对原剧作者三岛先生来说，“艺术”无疑是存在于现实之外的、对于异端思想之美的例证。

　　有人说天下无贼，本片通过巴喇特的经历告诫人们，说这话的人要么幼稚，要么是骗子，因为在当今世界上它是不真实的。
　　巴喇特是一个普通的银行出纳员，一个平凡、正直和无辜的人，业余爱好是演出戏剧，他的人生愿望简单地就是从扮演猴神罕努曼升级为扮演拉姆神。巴喇特的妻子是一名小学教师，期望他有更好的职业生涯而不只是舞台上的成绩，但她易猜忌，怀疑巴喇特与年轻漂亮的阿米嗒关系亲密。平凡的人过着平凡的生活，但一件看似偶然的事打破了巴喇特一家的平凡生活。
　　巴喇特的麻烦看起来开始于一个警方披露他家风扇被盗的案子，经过很大的一番周折后，他发现自己家的风扇并没有被盗，而实际被盗的却是他们全家的生活和命运，风扇只是这一大出戏中的一个小道具而已。在这个过程中，影片向人们展现“贼”并不等同于小偷，在生活中他们更隐秘更让人难以注意到，但其实到处都是。
　　抛开具体形式和情节，巴喇特的经历是否可以发生在任何人身上，或者正在发生在每个人身上？有人或许有理由或许只是凭感觉地认为自己没有受害，但本片的警示应该让人们从贼的完全定义上去重新思考答案。

　　Cosimo, a buffalo farmer, refuses to sell off his land to the family of the young mayor candidate. When he finds out he has a tumour caused by all the toxic waste that are illegally disposed of in the fields of the so-called “Land of Fires”, his wife decides to carry on his battle.
　　Diego OlivaresDiego Olivares (1965) is a Neapolitan director, scriptwriter and dialogues writer. After directing some short films he embarks in the making of a documentary about the closing of the Frullone psychiatric hospital in Naples, Gli ultimi giorni del Frullone – Cronache da un manicomio nel 2000. In 2003, he directs his first feature film I chinghiali di Portici. In 2014, he directs the short film Canemalato produced by Figli del Bronx for Sky Cinema.

　　喜剧，讲一个男人通过装假胡子装扮成兄弟两个人，周旋于女友和未来岳父之间，因为岳父喜欢有胡子的人，认为有胡子的人成熟稳重。
　　Ramprasad Dashrathprasad Sharma (Amol Palekar) is looking for a better paying job. He and his sister Ratna (Manju Singh) have no relatives or acquaintances except Dr. Kedar (David). Dr.Kedar tells him about Bhavani Shankar__APOS__s (Utpal Dutt) firm known as Urmila Traders. Shankar is a weird man. He is a man of traditional values, hence he naturally hates youth wearing modern clothes. He is a sports fan, but thinks lowly of youth knowing anything about sports. But his most weird trait is hatred towards men without moustaches. He thinks that men without moustaches are characterless.
　　Ramprasad has a moustache. He takes care of other problems by wearing kurta __AMPERSAND__ feigning ignorance about sports. Bhavani hires him immediately. Ram is a hardworking guy, so Bhavani (__AMPERSAND__ Ram) have no problems. However, Ram once takes leave by pretending that his mother (who died many years ago) has taken ill, and goes to watch a hockey match. Bhavani Shankar, who also attended the match, sees him there.
　　The next day Bhavani summons Ramprasad to his office and asks him about the Hockey match. Remembering the plot of a movie a friend of his is shooting, Ram convinces Bhavani Shankar that he had seen his __QUOTE__moustache-less__QUOTE__ identical twin Lucky (alias Lakshmanprasad Dashrathprasad Sharma) at the stadium.
　　Bhavani Shankar buys his argument __AMPERSAND__ feels bad about accusing him and decides to make amends by hiring Lucky to teach his daughter Urmila (Bindiya Goswami) music. Ramprasad reluctantly shaves his moustache to become Lucky and starts to teach music to Urmila. He is helped by his actor friend Deven Verma (playing himself).
　　Now Urmila aka Urmi is the exact opposite of her father. She takes immediate liking to Lucky, while Ram is barely noticed by her. Bhavani notices this __AMPERSAND__ gives Ram another job to tutor on the pretext of her exams. Meanwhile, Mrs. Srivastav (Dina Pathak), a socialite, is roped to play the part of Ram, __QUOTE__Lakshman__QUOTE__ __AMPERSAND__ Ratna__APOS__s mother. Like Ram, she also ends up playing her own twin in front of Bhavani.
　　Ram decides to tell Urmila the truth. Urmila tells him to tell the truth to Bhavani as well. Ram goes to Bhavani to tell the truth, but Bhavani sees Ram__APOS__s moustache giving away. Bhavani exposes Ram, but ends up thinking that Lucky murdered Ram __AMPERSAND__ impersonated him to marry Urmila.
　　In a hilarious chase that follows, Bhavani ends up totalling a police jeep. The Senior Inspector (Om Prakash) mistakes him for a thug named Pascal D__APOS__Costa __AMPERSAND__ is about to lock him up in the jail. Only when his Inspector identifies Bhavani Shankar by his real identity is he freed. By now, a harried Bhavani has developed hatred for twin as well.
　　On coming home, he finds that Urmila __AMPERSAND__ Lucky are married. He refuses to give them blessings, until Dr.Kedar comes to the scene __AMPERSAND__ explains the whole situation. Now, Bhavani becomes even more furious, but on everybody__APOS__s insistence, relents. The film ends with a family photo of Mrs.Srivastav, Ratna, Urmila, Ram, Dr.Kedar, Bhavani__APOS__s sister Kalindi (Shubha Khote) __AMPERSAND__ Bhavani (who is shown without moustache).

　　Drowning in debt, unemployed boxer Jorge is on the verge of losing his young son and his Brazilian wife. He is one of shocking amounts of Portuguese families and companies unable to repay their loans in the time of European troika bailout measures. Jorge needs to pay off his debts and convince his unhappy wife to not leave Portugal to make a living. Due to his intimidating physique, Jorge must reluctantly accept a job with a collection agency which drags him into a world of violence and crime...

　　家园的拆迁让金边青年桑楠连续面对来自家庭、好友和社区的压力，仿佛一切伴随巨变，交织盘错着扑面而来。

　　恐怖分子劫持了一架民航客机，逼迫机长将目的地设往一座坐满了观众的运动场。在紧要关头，一名德国战斗机飞行员不顾上级指令，在民航机撞向体育场前先行将其击落。他拯救了数万名无辜的观众，却牺牲了飞机上所有的乘客，因此出庭受审。《审判》是一部新颖的互动式电影，邀请观众参与剧情走向的抉择。在听完飞行员为自己的辩解后，观众们要以即席投票的方式，亲自做出决定，选择观看飞行员是有罪还是无罪的影片结局。

　　許久不見的克里斯提安(43歲)與吉奧(45歲)，終於在他們父親的葬禮上重逢。個性截然不同的兄弟難得聚在一起，在守靈夜酒酣耳熱之際，臨時起意決定去實現小時候的夢想-騎著電動自行車進行一趟從黑森林到波羅的海、橫越整片德國的冒險旅程。在這段時速最高僅25公里的漫活旅程中，兩人經歷了許多意想不到的遭遇，也重新認識了彼此，甚至改變了他們往後的人生。

　　在一场艺术品拍卖会上，汤姆（丹尼斯·霍珀 Dennis Hopper 饰）遇见了名为乔纳森（布鲁诺·甘茨 Bruno Ganz 饰）的男人。乔纳森患有血液方面的疾病，这对于他那并不富裕的家庭来说无异于雪上加霜。黑手党找到了汤姆希望他能够帮他们完成一项暗杀任务，不愿意铤而走险的汤姆想到了乔纳森。
　　汤姆向乔纳森保证，如果后者能够代替他完成任务，那么汤姆的家庭将会得到一大笔的报酬，与此同时，汤姆贿赂了乔纳森的主治医师，两人合伙蒙骗了乔纳森，让他以为自己的病情发生了急速恶化。就这样，心中充满了痛苦和绝望的乔纳森走上了一条不归路，而看着乔纳森苦苦挣扎的模样，汤姆的心中竟然也产生了一种说不清道不明的情绪。

　　The subtitle of Jean-Marie Straub and Danièle Huillet’s first feature, from 1965, “Only Violence Helps Where Violence Reigns,” suggests the fierce political program evoked by their rigorous aesthetic. The pretext of the film, set in Cologne, is Heinrich Böll’s novel “Billiards at Half Past Nine,” which they strip down to a handful of stark events and film with a confrontational angularity akin to Bartók’s music that adorns the soundtrack. The subtlest of cues accompany the story’s complex flashbacks. The middle-aged Robert Fähmel tells a young hotel bellhop of persecutions under the Third Reich; his elderly father, Heinrich, an architect famed for a local abbey, recalls the militarism of the First World War, when his wife, Johanna, incurred trouble for insulting the Kaiser. A third-generation Fähmel is considering architecture, just as the exiled brother of Robert’s late wife, returns, only to be met by their former torturer, now a West German official taking part in a celebratory parade of war veterans. Straub and Huillet make the layers of history live in the present tense, which they judge severely. The tamped-down acting and the spare, tense visual rhetoric suggest a state of moral crisis as well as the response—as much in style as in substance—that it demands.

　　根据 1975 年发生的真实事件改编。讲述了印度历史上最有权势的女性之一英迪拉·甘地夫人领导下发生的事件。

　　莎莎，一位美丽的年轻摄影师，发现她的情人，一个成功的艺术家，被谋杀了。警察怀疑她，凶手们想让她安静下来。当她试图解决这个秘密的时候，她开始四处奔跑。

　　A loving film tribute to Russian filmmaker Larisa Shepitko, who died tragically in a car accident in 1979 at the age of 40. This documentary by her husband, Elem Klimov, includes excerpts from all of Shepitko__APOS__s films, and her own voice is heard talking about her life and art.
　　Elem Klimov__APOS__s grief-stricken elegy Larisa examines the life of his late wife—the film director Larisa Shepitko—through a series of direct-address interviews and photomontages, set against a mournful visual-musical backdrop. Typically, Klimov films his subjects (which include himself and several of Shepitko__APOS__s collaborators) within a stark, snow-covered forest, its tangled web of trees standing in as metaphorical representation of a perhaps inexpressible suffering, the result of Shepitko__APOS__s premature death while filming her adaptation of Valentin Rasputin__APOS__s novella Farewell to Matyora. Interweaving home movie footage with sequences from Shepitko__APOS__s work (Maya Bulgakova__APOS__s pensive plane crash reminiscence from Wings takes on several new layers of resonance in this context), Larisa__APOS__s most powerful passage is its first: accompanied by the grandiose final music cue from Shepitko__APOS__s You and I, Klimov dissolves between a series of personal photographs that encompass Larisa__APOS__s entire life, from birth to death. This brief symphony of sorrow anticipates the cathartic reverse-motion climax of Klimov__APOS__s Come and See, though by placing the scene first within Larisa__APOS__s chronology, Klimov seems to be working against catharsis. The pain is clearly fresh, the wound still festering, and Klimov wants—above all—to capture how deep misery__APOS__s knife has cut.

　　工于心计的克里斯托弗·沃尔肯饰演恶名昭彰的纽约大流氓韦佛兰，他在出狱之后要收回他在坐牢时失去的毒品市场，跟哥伦比亚帮、意大利帮和华青帮等竞争对手展开宣战，逐渐建立起比以前更庞大的犯罪王国。但因其不可一世的嚣张态度，也激起了另一帮派头目的不满，因而展开一场黑道大火拼……

　　“捷克新浪潮电影的黑暗、诡异的奇葩” 捷克奇幻电影杰作选之《魔格亚纳》
　　风靡全球的捷克奇幻电影魅力！
　　导演： 乔拉．赫兹
　　影片简介:一个家庭因为财产分配上的矛盾,姐姐购买了使人产生幻觉的毒药,给妹妹使用了,可是并没有使自己得到需要的东西,幕后隐藏的黑手到底是谁呢？

　　瓦西尔是一个聪明而有魅力的保加利亚移民，尽管他无家可归，但还是凭借着惊人的国际象棋和桥牌天赋在城里的一个高级俱乐部出了名。在一位爱尔兰女士的帮助下，他来到阿尔弗雷多家暂住。原本只是一个几天的临时安排，很快就延长到了好几个月。阿尔弗雷多和瓦西尔有着巨大的差距：阿尔弗雷多有自己顽固的生活方式，而瓦西尔过着放荡不羁的生活，对国际象棋的热情是他们唯一的共同点。尽管如此，瓦西尔终将敲开阿尔弗雷多的心门，因为他能让所有与他相识的人，都因他而变得不同。

　　一张新公寓的平面图，两天的搬家进出，莉莎即将告别与玛拉同住的日子，所有的亲密与角力、回忆与张望，都在这狭小的空间中幽微地拉扯著。各方好友、家人、工人、邻居或小狗逐一现身，通通汇集到搬家现场，但每一次的错身或交谈，都有着不寻常的气息及欲望在狭缝里流动。有些家俱将被带走，有些记忆会被留下，莉莎、玛拉与这群好友之间的互动和情谊，都随着不时响起的华尔滋舞曲，在一进一退之间，谱写出充满焦虑、嫉妒、暧昧、孤独交织的浪漫小节。

　　Invisible Evidence, new feature film by Trinh Dinh Le Minh is set to release in July 2020.

　　本片包含的四个故事是道德力量与死刑这两个关键主题的变奏曲。这就提出了一个问题：在专制政权及其看似不可避免的威胁下，个人自由能在多大程度上得到表达？

　　安娜（黛安娜·卡娃柳堤 Diana Cavallioti 饰）和托马（米尔卡·波斯泰尔尼库 Mircea Postelnicu 饰）相识于大学的校园之中，在一次关于尼采的哲学讨论之中，两人成为了知己。精神世界十分契合的两人很快就走到了一起，并且认定彼此就是他们想要携手共度一生的那个人。可是，安娜拥有非常复杂的过去，同时亦是一名MS综合症患者。
　　当托马的家人得知了安娜情况后，对这段感情自然强烈的反对，可是托马坚持了自己的深爱，即便孤立无援也坚定的握紧安娜的手，两人共同努力最终使得安娜的心里创伤得到了治愈。可是故事并没有就此结束，安娜康复了，托马的精神却来到了濒临崩溃的边缘。

　　In their last attempt to save their marriage, Sara and Óscar decide to take a short vacation in a cabin in the woods with their two children. But upon arrival, strange events corrode the tense atmosphere between them: a woman prowls the house predicting events that defy nature, which break the family from within as they confront unresolved problems from their past.

　　A man returns to his parents__APOS__ village to claim his land. Along the way, he befriends a charming young woman. Unbeknownst to him, her family has a long-standing feud with his family.

　　Ukrainian folk song __QUOTE__Shchedryk__QUOTE__ which was sung on Christmas Eve with good wishes, became a worldwide hit thanks to American authors by the name of __QUOTE__Carol of the Bells__QUOTE__. The film is a symbol of unity of nations like the song __QUOTE__Shchedryk__QUOTE__ - __QUOTE__Carol of the Bells__QUOTE__. The epitome of the globe in the film is a large two-story house where three families of different nationalities live together like three countries on Earth. They live peacefully and amicably until the invaders come to their home, namely like they came to all of Europe, and ruin their piece as well as the world one. However, a little talented girl believes in the power of magic of __QUOTE__Shchedryk__QUOTE__ and sings this song trying to restore the good by herself. Today this film is more actual than ever. History repeats itself. Many people go through the separation of nations refusing good. While watching a sweet talented child on the screen, people will be reminded what indifference and dissension may lead to. The song that unites all nations...

　　瓦蕾莉亞清楚知道自己要過何種生活，就算男人一個接著一個換，也從不留戀。她是女子排球教練，除了教學生遊戲規則外，也教這些女孩如何獨立，如何避免在愛裡受傷。她唯一放下戒備的男生，是在一年前與她分手並令她心碎的前男友馬克。某次突如其來的意外後，馬克重新闖入她的生活。瓦蕾莉亞決定對他進行報復，只不過事情沒她想得那麼容易……